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¿À¿ë·ÏÀÌ Á¦½ÃÇÑ ¡®À½±º¡¯ÀÇ °³³ä¿¡ °üÇÑ °ËÅä¡«°ÇýÁø(Kang, Hye-jin) Study on the Concept of ¡®Tonal Group¡¯ by Oh, Yong-nok
1980³â´ë °¡¼ö Á¶¿ëÇÊ À½¾Ç °¡»çÀÇ Æ¯Â¡¡«±è¼±Áø․È«¼º±Ô(Kim, Seon-jin․Hong, Sung-kyoo) Characteristics of Lyrics in Singer Cho, Yong-pil¡¯s Music in the 1980s
¹Ú¿¬ ¾Ç±â Á¦ÀÛ¿¡ °üÇÑ ¹è°æÀû °íÂû¡«±èÀμ÷(Kim, In-suk) A Review on Pitch-pipes[×Èη] Produced by Park Yeon[ÚÓæÀ]
Á¶¼±½Ã´ë ÊöÖÚÓñ¿¡ ³ªÅ¸³ ÚÅÊàæÑýôû¡÷¾¿¡ °üÇÑ ÍÅóÌ¡«±èÁöÀ±(Kim, Ji-yoon) A Study on the Private Yeonhui Form in Gamrodo in the Joseon Dynasty
2018 °æ³²Áö¿ª ±¹¾ÇºÐ¾ß Çб³¿¹¼ú°»ç Áö¿ø»ç¾÷ ½ÇÅÂÁ¶»ç¿¬±¸¡«¹®¼ºÃ¶(Moon, Sung-chul) A Study Research on the Actual Condition of Support Work for the School-art Instructor at Korean Music Field in Gyeongsangnam-do in 2018
ÀÌ¿ÕÁ÷¾Æ¾ÇºÎÀÇ À̽Àȸ(ì½ã§üå) ¿î¿µ°ú ¼º°ú¡«¼ÛÇýÁø(Song, Hye-jin) A Study on the Operational Performance of the Yiwangjik-Aakbu(the Royal Music Institute)¡¯s Yiseuphoe Regular Concerts
Çѱ¹°ú ¾Æ½Ã¾Æ À½¾Ç¿¡ º¸ÀÌ´Â º¯ÁÖ ¾ç»ó¡«ÀüÀÎÆò(Chun, In-pyong) Various Musical Variation¡¯s Technique in Korean and Asian Music
Áö¿ª ¹«¼ÓÀå´ÜÀÇ Àǹ̡«È«ÅÂÇÑ(Hong, Tea-han) Implication of Local Shaman Rhythm
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