Minsokwon Korean Studies Series 9 / Music Korean Musical Instruments   A Practical Guide       저자Keith Howard   판형|쪽크라운변형 양장 | 432쪽   발행일2015년 8월 31일   ISBN 978-89-285-0781-8 (94670)   가격41,000원   Korean Musical Instruments was first published in 1988. It has been out of print for more than 20 years, but continues to be copied and distributed. It is exciting and timely that Minsokwon agreed to publish a new edition... My aim remains as it was: to provide a handbook that will prove useful to the many people who have a Korean instrument, who want to learn to play a small handful of pieces on it, and who want to know how to tune and repair it. I aim to supplement the small workbooks that those visiting Korea and taking workshops or lessons for a few weeks are given, but to do so in a way that brings together material for Korea’s seven most important instruments in a single volume. I provide an overview of Korean scholarship on instruments, and list what I hope will prove to be a reasonable selection of the published notations available in Korea, in bookshops and libraries. I do not attempt to provide an exhaustive historical account, or to explore all the comparative instruments across the globe that I could if the size of the book was able to expand beyond a reasonable size. My primary aim, then, is to provide a practical guide. 이미지를 클릭하면 더 큰 이미지를 볼 수 있습니다 PREFACE TO THE NEW EDITION ACKNOWLEDGEMENTS INTRODUCTION Conventions Musical Orthography CHAPTER 1 KOREAN MUSIC, KOREAN NOTATION 한국음악 · 한국악보 Introducing Korean Music Introducing Korean Notation Chŏngganbo: The ‘Korean National’ System Staff Notation CHAPTER 2 CATALOGUE OF KOREAN INSTRUMENTS 한국악기 Systems of Classification Chordophones Aerophones Idiophones Membranophones CHAPTER 3 KAYAGŬM 가야금 Historical Sketch Comparative Instruments Construction of the Court Kayagŭm Construction of the Sanjo Kayagŭm Zither Developments Maintenance and Tuning Playing Notations Scores and Guides CHAPTER 4 KŎMUN’GO 거문고 Historical Sketch Construction, Tuning, and Maintenance Playing Notations Scores and Guides CHAPTER 5 HAEGŬM 해금 Historical Sketch Construction and Maintenance Playing Notations Scores and Guides CHAPTER 6 CHANGGO 장고 Historical Sketch Construction Playing Notations Scores and Guides CHAPTER 7 P’IRI 피리 Historical Sketch Comparative Instruments Types of P’iri The P’iri in Chindo Construction of the Hyang P’iri Playing the Hyang P’iri Notations Scores and Guides CHAPTER 8 TANSO 단소 Historical Sketch Construction Playing the Tanso Notations Scores and Guides CHAPTER 9 TAEGŬM 대금 Historical Sketch Construction Playing Notations Scores and Guides NOTATIONS REFERENCES INDEX Keith Howard Keith Howard is Professor of Music at SOAS, University of London. He was formerly Professor and Associate Dean at the University of Sydney, and has held visiting professorships at Monash University, Ewha Women’s University and Hanguk University of Foreign Studies. He has written or edited 17 books, including Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions (2012), Singing the Kyrgyz Manas (with Saparbek Kasmambetov, 2011), Korean Kayagum Sanjo: A Traditional Instrumental Genre (with Chaesuk Lee and Nicholas Casswell 2008), Zimbabwean Mbira Music on an International Stage (with Chartwell Dutiro 2007), Creating Korean Music: Composition and the Discourse of National Identity (2006), Preserving Korean Music: Intangible Cultural Properties as Icons of Identity (2006), and Korean Pop Music: Riding the Wave (2006). Over the last 30 years, he has also published more than 150 academic articles and 150 book/music reviews, as well as writing for many newspapers and journals including The Times, The Telegraph, Times Education Supplement, Korea Herald, Korea Times, Readers Digest, Koreana, Morning Calm and more. In addition to giving lectures, workshops and concerts at universities in Britain, throughout Europe, and in America, Asia and Australia, he has been a regular broadcaster on Korean affairs for BBC, ITV, Sky, NBC and others. He is editorial chair for the SOAS Musicology Series (Ashgate) and sits on a number of other editorial and advisory boards. He founded and managed the SOASIS CD and DVD series as well as OpenAir Radio.