UNESCO Intangible Cultural Heritage of Humanity Series Gagok[가곡]   Classical Long Lyric Song Cycle       저자written by Kim Young woon, translated by Kim Hee-sun, photo by Kim Sang-su   판형|쪽크라운변형 양장 | 120쪽   발행일2012년 12월 31일   ISBN 978-89-285-0379-7   가격20,000원   Classical Long Lyric Song Cycle UNESCO Intangible Cultural Heritage of Humanity Series Gagok, the classical long lyric song cycle, has been designated as Important Intangible Cultural Heritage no. 30 by the Korean government and was included as part of the UNESCO Intangible Cultural Heritage of Humanity in 2010. This book presents the general features of gagok, including its history, socio-cultural background, musical features, relationship with other vocal genres, musicians, poetry anthologies and collections of old notation, lyrics, and music-cultural values. 이미지를 클릭하면 더 큰 이미지를 볼 수 있습니다 Preface General Introduction 1 . Pungnyu-bang Music and Gagok 2 . Gagok, Gasa, and Sijo Formation and Transmission Process of Gagok 1 . Formation of Daeyeop-related Pieces 2 . Formation of Jungdaeyeop and Sakdaeyeop 3 . Nineteenth-Century Gagok – The Formation of Today’s Gagok 4 . Master Musicians of Gagok in History 5 . Poetry Anthologies and Collections of Old Notation Books Music and Performance Practice of Gagok 1 . Structure of Gagok 2 . Rhythmic Cycles of Gagok 3 . Gagok Modes 4 . Gagok Vocal Style 5 . Performance Style of Gagok 6 . Expressions of Gagok Musical Characteristics of Individual Pieces and Lyrics 1 . Namchang Gagok (Male Voice) 2 . Yeochang Gagok (Female Voice) The Music-cultural Value of Gagok References | Kim Young woon Kim Young woon graduated from the Gukak National High School. He earned a BA from Seoul National University’s Department of Korean Music, an MA from the Korean Music Department of Hanyang University, and a PhD in Korean Literature from Sungkyunkwan University. Kim has worked as a producer at KBS, the Korean Broadcasting System. He was an associate professor in the music department of Gangneung National University and a professor in the Graduate School of Korean Studies at the Academy of Korean Studies. Currently, he is a professor in the Korean Music Department of Hanyang University. Having formerly served as president of the Society of Korean Folk Song, he now serves as executive trustee of the Korean Musicological Society. Kim has published numerous papers and manuscripts on Korean music, including Buknyeokttang Urisori (Our music in North Korea), Piri Jeongak and Daechwita, and Gyeonggi Minyo (Folksongs of the Gyeonggi region). | Kim Hee-sun Kim Hee-sun earned her BA and MA from Seoul National University’s Department of Korean Music and a PhD in Ethnomusicology from the University of Pittsburgh. She formerly served as a research fellow of the Asia Research Institute at the National University of Singapore (Cultural Studies) and as a research fellow in the Asian Music Institute of Seoul National University. Kim is currently a professor at Kookmin University and executive director of the World Music Center Foundation. She is one of the most internationally-active scholars of the younger generation focusing on Korean and Asian music, and participates energetically in the globalization of Korean culture project. She has recently published her book, Contemporary Kayagum Music in Korea: Tradition, Modernity and Identity, and has contributed chapters to many widely-circulated volumes, including Music of Korea, Sanjo, and Gugak Performance Program Guide, as well as numerous academic papers in international journals on world music and the music and culture of Korea and Asia.